Burning Bridges

Journal of a Departed Friend, Part 3

Aristotle's **Metaphysics** (image by Peter Damian)

Aristotle's **Metaphysics** (image by Peter Damian)

Sister Alma Rose recently received part of a journal from the year 1985 that was bequeathed to her by an old friend. Here is an excerpt:

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There is nothing permanent except change. —Heraclitus

 

Heraclitus, 535-475 BCE, by Johannes Moreelse

Heraclitus, 535-475 BCE, by Johannes Moreelse

 

O ye ancients, you had no idea! You, Heraclitus, what did you know in the sixth century BCE of lasers or nuclear power or even of sewing machines and polyester?

What of moving across the North American continent four times in ten years?

What of endemic divorce or heroin addiction or John Holmes, radioactive fallout, toxic waste, latchkey children, the microchip?

Integrated circuit of Atmel Diopsis 740 System on chip showing memory blocks, logic and input/output pads around the periphery

Integrated circuit of Atmel Diopsis 740 System on chip showing memory blocks, logic and input/output pads around the periphery

The Duke Prosper Oak, Belgium (photo by Jon-Paul Grandmont)

The Duke Prosper Oak, Belgium (photo by Jon-Paul Grandmont)

They have cut down the oak tree outside the bay window of the house where I grew up.  I suppose that it was causing problems with the plumbing or leaks into the basement. But it is surely gone, as are the mother and father who raised me there, the neighbors who chased me away from their rosebushes or held me on their laps and told stories, the misanthropic widow whose porch was always dark on Hallowe’en.

Little boys' walnut cache

Little boys' walnut cache

There is now, behind our house, a walnut tree, and every year the walnuts are not cracked and eaten, but gathered and stockpiled by little boys who pretend to be squirrels or chipmunks, or else the boys are pirates and the nuts become rubies and gold nuggets.

So many losses and so many gains, and who can slow the whirl to add them up, properly weighted, and say, “I have more,” or “I have less.”
“Time is a sort of river of passing events,” Marcus Aurelius has said, “and strong is its current; no sooner is a thing  brought to sight than it is swept by and another takes its place, and this too will be swept away.”
The Maria Valeria Bridge, connecting Hungary to Slovakia (photographer, Alan Ford)

The Maria Valeria Bridge, connecting Hungary to Slovakia (photographer, Alan Ford)

Well, maybe so, but I do a lot of swimming upstream and down trying to change things and being bashed with flotsam and jetsam in the process. I like the thought of the river, though, despite the bashing; it makes better poems about life than do caves and sailing ships.

Have you ever considered, Heraclitus, that maybe nothing changes except what is permanent?

* * *
River, when I stand aside and watch, billow up and pull me in.

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The Ancients, Part 1 — Daddy Pete

Proof of God?

One thinks of Julio and Jeanne next door...

One thinks of Julio and Jeanne next door...

 

Mystic Math

(The Truth Is in the Poetry)

 

Is it so foolish to deny that 2

plus 2 must always equal 4? Because

one thinks immediately of Julio

and Jeanne next door, with twins, Celine and

quiet Jim — not counting Thor, the sheltie,

they are four indeed — but one in the

directory, one phone, one family,

one house, one home.

 

How many syllables comprise a poem?

How many deities are in the Trinity?

How many personalities have you, or I

(not in the psychopathic sense, of course,

although one wouldn’t know, would one, if there

were moments unaccounted for — so many

billion galaxies to travel in for

one a bit unraveled)?

 

...so many billion galaxies to travel in....

...so many billion galaxies to travel in....

And then there is the Christian marriage

ceremony, wherein 1 plus 1 make 1,

and during which the wedding guests affirm

that all are one in Christ.

 

One day, one night, together, they become —

a day. Once more, the sum of 1 plus 1

is 1, at least within the limits of

the English language — its vocabulary

vast, indeed, although, alas, not infinite.

 

fiddlepm_chair_istockAnd think of all those violins, violas,

cellos, basses, trumpets, clarinets,

trombones, and horns and cymbals, harps

and bells and such — and all the men and

women, dignified in black and white,

with all their individual concerns —

one widowed just a year ago tonight,

another six years clean and sober; to

her left, an oboist whose brother was

indicted yesterday for tax evasion; on

her right, a Pakistani having such

a frightful allergy attack — and the

conductor, who has just received a check

for twenty thousand dollars from the lottery—

but now she raises her baton — and

in that instant of anticipation, in

that sacred, silent metamorphosis, how

many, would you say, have they become?

 

Ludwig van Beethoven, an 1804 portrait

Ludwig van Beethoven, an 1804 portrait

Four notes — three quick, one slow — are played:

the Fifth (but first, perhaps, in pure

and simple glory) symphony of Beethoven

begins… and in the audience,

a few may fidget, measuring

the minutes and intending to

retreat at intermission. Violinists

count the silent beats of idleness

between their passages, but, I imagine,

seldom ask themselves how many

notes they play in all, and just

as well, it wouldn’t change a thing. Do you

suppose there’s someone who, for fun

or scholarship, attempts to number all

the microbes in the hall, and further,

calculates the ratio of respirations that

occur between the second movement and

the third? For to be sure, it could

be quantified somewhere by some technology

or other. Fortunately, no one cares.

And that’s the point. They came, you see, to hear

the symphony.

 

...the stars care nothing of our counting them....

...the stars care nothing of our counting them....

Therefore, you’ll get no argument from me that 2 plus 2 are 4, not 3 or 17
or 20, but in turn you must forgive
the solecism I commit, suggesting there’s
a truer truth than anything that can
be proven by addition — if it were
not so, than why would anybody bother?
What would be the joy of noticing
this pattern or that symmetry? Do we
pursue a proof because the numerals
insist on our attention? I am sure
the stars care nothing of our counting
them or our refraining from it. Finding
order in the universe, or else
imposing it, or otherwise competing
in a race with chaos, really has a single
benefit — it satisfies, however
temporarily, the spirit, and
the truth, you find, is in the poetry,
not in the paper that it’s written on
or in the composition of the particles
that dart about at rates astonishingly
great — as we believe, for so the eye
of science witnesses, and since we give
it credibility, we cannot disagree. 

...viruses or other microscopic entities....

...viruses and other microscopic entities....

It pleases us to cede authority

to science, even though we never see

the viruses and other microscopic

entities; but science offers remedies

for every manner of disease and warns

that to release a sneeze uncovered will

unleash a tyranny of demons; so

it seems, in our experience, and is

esteemed as fact, no longer theory…

because it matters. That’s the only

reason — saves a life, perhaps, or

fifty million. If the latter, is the

scientific effort fifty million times

more worthy? I don’t know.

You do the math.

 

by Sister Alma Rose

February 2006

“Galaxies” and “stars” images © Luc Viatour GFDL/CC

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